Artwork Details for Koitsu, Tsuchiya (1870-1949) "Rainy Miyajima"


Koitsu, Tsuchiya (1870-1949) - Rainy Miyajima - 雨の宮島

Click on the above image for a larger scan
Any long thin horizontal or vertical colour streaks in the image are due to the scanner.

Rainy Miyajima - 雨の宮島
by Koitsu, Tsuchiya (1870-1949) - 土屋光逸

Artist:Koitsu, Tsuchiya (1870-1949) - 土屋光逸
Title:Rainy Miyajima - 雨の宮島
Date:1941, July (this item: Posthumous strike)
Publisher:Doi - 土井
Medium:Woodblock - 木版画
Format:Oban - 大判, 26.0 x 39.0cm (image size)
Artwork Code:8058-Koitsu_Tsuchiya
Notes:One of the rarer an more sought-after scenes by Koitsu. Koitsu Raisonne code: TK-DH-66. Also known as Night Rain at Miyajima. Also published by Hanmoto Tokyo-Do (see publisher's
seal on page 295 of the Koitsu Raisonne). A pre-war strike of this print has not been observed by the authors. We believe it was
first published by Doi Eiichi after the war (see Appendix E on page 321 of the Koitsu Raisonne for further discussion).

This artwork is from my personal collection and is not for sale.

Artist Biography:
Born in 1870 near Hamamatsu City (Shizuoka Prefecture) with the name "Sahei", Koitsu moved to Tokyo at the age of fifteen. He had planned to apprentice with Matsuzaki, a carver for the artist Kobayashi Kiyochika, but instead, he became Kiyochika's apprentice and moved into his home to study art and print design. It is through Kiyochika that Koitsu gained his trademark skill in the subtle use of light and shadow for his landscape prints. Koitsu lived with Kiyochika for 19 years and was considered more a member of Kiyochika's family than an apprentice. He worked and studying with Kiyochika until around Meiji 36 (1903). In Taisho 11 (1922) he moved to his wife's place of birth in Chigasaki City and lived there until his death. Although Koitsu first designed woodblock prints during the Sino-Japanese war (1894-1895), and later worked as a lithographer (around 1897 to 1905), he only really became a successful artist after his chance-meeting with Watanabe Shozaburo, the founder of the shin hanga print movement, at an exhibition of Kiyochika's works in 1931 that marked the anniversary of Kiyochika's death. In 1932 he started to produce landscape prints in the shin hanga style for Watanabe, the first being titled 'Cherry Blossom Viewing at Gion', and he went on to design a total of ten prints for Watanabe. He later designed prints for various publishers including Doi Sadaichi (known incorrectly in the West as Doi Teiichi), and a few prints for Kawaguchi, the Kyoto publisher Baba Nobuhiko, the publisher Tanaka Shobido, and the publisher Takemura. Around the same time that Tsuchiya Koitsu began his shin hanga career, another artist by the name of Ishiwata Koitsu was also pursuing a career as a shin-hanga landscape artist. Despite sharing the same given name "Koitsu", the two men were not related. Their works are sometimes confused since both artists signed their works "Koitsu". However, the styles of their woodblock prints are quite distinctive, as are their seals.
Search:See more works of art by this artist in my personal gallery and items for sale.


Ohmi Gallery Home - 近江ギャラリーMy CollectionSales GalleryMasterworksContact MeOrdering InfoMy ArticlesKoitsu.comOhmi Finch


© Dr Ross F. Walker. No part of the OhmiGallery.com website may be reproduced without the permission of Ohmi Gallery (Dr Ross Walker).
To help prevent unauthorised use, all images on this website have been encoded with a secure digital signature.