Click on the above image for a larger scan
Bijin at the Beach - 美人の海水浴
by Terazaki, Kogyo (1866-1919) - 寺崎廣業
|Artist:||Terazaki, Kogyo (1866-1919) - 寺崎廣業|
|Title:||Bijin at the Beach - 美人の海水浴|
|Date:||1900s (this artwork: 1970s)|
|Publisher:||Kyoto Hanga-In - 京都版画院|
|Medium:||Woodblock - 木版画|
|Format:||Kuchi-e - 口絵, 25 x 38cm (image size)|
|Condition:||Fine. Embossing to the bijin's costume.|
|Notes:||Originally from a literary magazine, this is a more recent large format edition from the c. 1970s. Kuchi-e prints were foldout prints placed at the front of Japanese literary magazines in the 1890s to about 1910.|
|Publisher Notes:||Here are some notes from Daiwa Shinagawa (current owner of Kyoto Hanga-In, 2014) regarding the woodblocks and their survival (or not):|
He is quite clear in his explanation that all the blocks held by Nishinomiya were *completely* destroyed in an air-raid circa 1945 (including Bakufu's Fish series and Wada's Occupations series). This is quite strong evidence to support the suggestion that the blocks used after the war for these series' reprints were completely recarved.
He goes on to say that, due to the poor economic climate after the war, Kyoto Hanga-In did not have the finances to purchase new cherry blocks for each new print scene. As a result, whenever a new scene was to be published they used a block from a previously published scene (i.e., carving the block flat and then recarving the new scene). That is quite a revelation that I would never have expected. As a result of all the recarving of blocks, there are no surviving woodblocks from prior to the 1960s, so the blocks for all the usual 1950s scenes by Bakufu, Hiyoshi, Wada, etc. no longer exist.
|Search:||Terazaki, Kogyo (1866-1919) (See more prints by this artist)|