Artwork Details for Koitsu, Tsuchiya (1870-1949) "Nezu Shrine"
Nezu Shrine - 根津神社
by Koitsu, Tsuchiya (1870-1949) - 土屋光逸
|Artist:||Koitsu, Tsuchiya (1870-1949) - 土屋光逸|
|Title:||Nezu Shrine - 根津神社|
|Date:||1934 December (this artwork: Posthumous strike)|
|Publisher:||Doi - 土井|
|Medium:||Woodblock - 木版画|
|Format:||Half Postcard - 絵葉書（小）, 6.0 x 9.0cm (image size)
|Condition:||Good condition, but has green ink printer's smudges. Very large margins. Some Embossing to snow and temple. No tears, folds, creases or foxing. Clean verso.|
|Notes:||Uncut Mini Postcard set. Koitsu Raisonne code TK-DH-207. Title and date from the corresponding oban-sized prin (see my Koitsu Raisonne catalogue). Once again, an exceedingly rare uncut set of mini-postcard prints. This print set originates from the deceased estate of an ex-Doi printer. Apart from the copies obtained from this source, I have not seen any other examples of uncut Koitsu prints. Publisher's seal at lower right. All Koitsu half-postcard prints (and most postcard prints for that matter) were probably first editioned in the 1950s.
|Born in 1870 near Hamamatsu City (Shizuoka Prefecture) with the name "Sahei", Koitsu moved to Tokyo at the age of fifteen. He had planned to apprentice with Matsuzaki, a carver for the artist Kobayashi Kiyochika, but instead, he became Kiyochika's apprentice and moved into his home to study art and print design. It is through Kiyochika that Koitsu gained his trademark skill in the subtle use of light and shadow for his landscape prints. Koitsu lived with Kiyochika for 19 years and was considered more a member of Kiyochika's family than an apprentice. He worked and studying with Kiyochika until around Meiji 36 (1903). In Taisho 11 (1922) he moved to his wife's place of birth in Chigasaki City and lived there until his death.
Although Koitsu first designed woodblock prints during the Sino-Japanese war (1894-1895), and later worked as a lithographer (around 1897 to 1905), he only really became a successful artist after his chance-meeting with Watanabe Shozaburo, the founder of the shin hanga print movement, at an exhibition of Kiyochika's works in 1931 that marked the anniversary of Kiyochika's death. In 1932 he started to produce landscape prints in the shin hanga style for Watanabe, the first being titled 'Cherry Blossom Viewing at Gion', and he went on to design a total of ten prints for Watanabe. He later designed prints for various publishers including Doi Sadaichi (known incorrectly in the West as Doi Teiichi), and a few prints for Kawaguchi, the Kyoto publisher Baba Nobuhiko, the publisher Tanaka Shobido, and the publisher Takemura.
Around the same time that Tsuchiya Koitsu began his shin hanga career, another artist by the name of Ishiwata Koitsu was also pursuing a career as a shin-hanga landscape artist. Despite sharing the same given name "Koitsu", the two men were not related. Their works are sometimes confused since both artists signed their works "Koitsu". However, the styles of their woodblock prints are quite distinctive, as are their seals.
|Search:||Koitsu, Tsuchiya (1870-1949) [Tsuchiya Koitsu] (See more prints by this artist)
© Dr Ross F. Walker. No part of the OhmiGallery.com website may be reproduced
without the permission of Ohmi Gallery (Dr Ross Walker).
To help prevent unauthorised use, all images on this website have been encoded with a secure digital signature.